My yet unborn daughter had an abnormally high pulse rate, my wife as well. Our baby just didn’t want to come out. Doctors did everything to save the baby, but nothing helped. Then, suddenly, one of the nurses remembered that sometimes music helped calm the mother, or even encouraged the baby to move.
She asked me if there was a song that meant something to both of us. I was too panicked to think. My wife was pale, drenched in sweat, barely able to hold my hand. The monitors kept beeping louder and faster, like they were echoing my heartbeat.
Then I remembered something.
When we first found out we were having a baby, we danced in our tiny kitchen to an old song that played on the radioโYou Are My Sunshine. It was late, we had burnt the rice, and we didnโt care. That song played, and we held each other, laughing and dreaming.
I told the nurse.
She pulled out her phone and played it on speaker. The sound was faint under the buzzing of machines, but it was there. My wife turned her head slightly, her lips trembling. I saw a tear fall.
And then something happened.
My wifeโs pulse dropped, slowly. The babyโs too. Not to dangerous levelsโbut steady, calmer. The doctor looked at the monitor, then at us, like we had just done something magical.
โSheโs responding,โ he said.
It took another 45 minutes. The longest 45 minutes of my life. But eventually, with a weak cry and a head full of dark hair, our daughter came into the world. She looked like a little raisin, wrinkled and beautiful.
We named her Clara.
For the first two weeks, she barely slept. But whenever I hummed You Are My Sunshine, her eyes would blink slowly, and sheโd drift off like someone turned down the worldโs volume.
My wife, Lana, struggled after birth. Postpartum hit hard. Some days she wouldnโt get out of bed. Some days she cried without a clear reason. She blamed herself, the emergency delivery, her recovery. But at night, when Clara nuzzled into her, the world softened again.
I did what I could. I learned how to braid tiny hairs, how to heat bottles just right, how to change diapers in the dark. We were figuring it out, the three of us.
Then came February.
I got laid off from the warehouse.
I walked in on a Tuesday and was told they were โmaking cuts.โ I was one of them. I held the box with my gloves, thermos, and a cracked phone charger, and sat in my car, staring ahead.
When I told Lana, she didnโt cry. She just hugged me and said, โWeโll get through this. Together.โ
But bills donโt wait for hope.
Rent was due. Clara needed formula. We were already behind on the heating. I started delivering food at night. Iโd leave just before sunset, kiss Lana on the forehead, and hope the streets were kind.
One night, while waiting at a red light, I saw something odd.
A man standing on the sidewalk with a sign that said: “Play a song that saved your life. Let’s talk.”
He wasnโt asking for money. He wasnโt playing music. He was justโฆ standing.
Something about him felt different. Like he wasnโt just a guy trying to go viral. I pulled over. I wasnโt even sure why.
I rolled down the window and said, โHey, Iโve got one.โ
He smiled. โThen Iโm listening.โ
I told him about the hospital. The song. Clara.
He asked if Iโd ever played it for others.
โNo,โ I said. โItโs kind ofโฆ ours.โ
He nodded. โSometimes the most personal stories are the ones that heal others.โ
He handed me a card. It said: “The Sunrise Sessions โ Share Your Story.”
He ran a small podcastโnothing hugeโbut it was about real people, real stories, and the music that helped them survive. He said heโd love to record mine.
I went back and forth for a week. What if people thought it was cheesy? Or too personal?
Then one night, Clara got sick. A bad fever. We spent five hours in the ER. She cried the whole time, except when I hummed the song. It worked like a switch every single time.
That was it. I messaged the guy.
We recorded the episode in his garage, surrounded by egg cartons on the walls and a mic taped to a lampstand. I told the full storyโfrom the emergency delivery to the sleepless nights, to losing my job, and how one simple song became our lifeline.
Two weeks later, it aired.
I forgot about it, honestly. Went back to deliveries. We were scraping by.
Then emails started coming in.
Hundreds.
People from everywhere.
A woman from Michigan said she played You Are My Sunshine for her grandmother with dementiaโand it was the first time she smiled in months. A man from Brazil said he used the song to get through chemotherapy. Parents shared stories of lullabies and long nights and healing.
Then one email stood out.
It was from a woman named Nadia. She ran a nonprofit music therapy organization in Portland. She said she wanted to meet me.
I didnโt think much of it at first. But something about her words stuck. She said: โSometimes people carry healing without knowing it.โ
Lana encouraged me to go. โIt might lead somewhere,โ she said. โBesides, maybe itโs your turn to receive.โ
So I flew to Portland.
Nadia was warm, like someone who smiled with her eyes. She invited me to a session. A small room, five kids in wheelchairs, all with severe developmental delays. Their parents watched behind a glass window. There was a therapist playing soft guitar.
I sat quietly in the back.
Then Nadia nodded at me. โWould you play it?โ she asked.
My hands trembled. I picked up the guitar. I hadnโt played in years. I started slow.
โYou are my sunshineโฆ my only sunshineโฆโ
One boy lifted his head. Another girl smiled and tapped the armrest.
Their parents wept behind the glass.
That night, I didnโt sleep.
Nadia offered me a position. Part-time, paid, flexible hours. Iโd help lead sessions, share my story, play for kids, families, veterans, anyone who needed light.
When I told Lana, she cried. Not from worry. From pride.
โI think this was always meant for you,โ she said.
We moved to Portland three months later. It wasnโt easy. We sold almost everything. We lived in a tiny one-bedroom. But we had each other. And Clara was thriving.
The Sunrise Sessions podcast kept growing. My episode got picked up by a bigger network. I was invited to speak at a small eventโjust ten people at a community center. I thought itโd be awkward.
I walked in and froze.
My old warehouse manager was there. Steve. The guy who laid me off.
He looked embarrassed.
โI heard your episode,โ he said. โDidnโt realize you were going through all that.โ
I shrugged. โNeither did I. Until it all spilled out.โ
He reached into his coat and handed me an envelope. I opened it later.
It was a check. Not huge, but enough to cover two months of rent.
With a note: โSometimes cuts hurt the wrong people. Iโm sorry. You didnโt deserve that.โ
I didnโt expect it. But I accepted it. Not just the money. The moment. The grace in it.
Fast forward two years.
Clara is healthy and wild and sings off-key with all her heart.
Lana started writing again. Poetry, mostly. Some of her pieces got published in local magazines.
Iโm now full-time with the organization. Iโve played music for kids fighting cancer, for mothers whoโve lost children, for veterans who havenโt spoken in years.
And every time I start with You Are My Sunshine.
Not because itโs the best song.
Because it reminds me of that hospital room.
Of a nurse who didnโt give up.
Of Lanaโs trembling lips turning into a whisper.
Of Claraโs first cry.
And of the idea that healing isnโt always loud.
Sometimes, itโs soft. A note. A hum. A memory.
Sometimes, the very thing that almost broke you becomes the tool you use to rebuild others.
The twist in all of this?
Losing my job was the best thing that couldโve happened.
It pushed me into a story I wouldโve never chosenโbut now canโt imagine life without.
It led me to people I never knew I needed.
To children who laugh through pain.
To parents who love without pause.
To strangers who became friends through a song.
So if youโre holding on to something smallโa melody, a phrase, a momentโdonโt ignore it.
Sometimes, the tiniest light becomes someone elseโs dawn.
Thanks for reading this far.
If this story touched you in any way, share it.
You never know who might need a little sunshine today.




